Wednesday, July 29, 2009

Andy Lennon for rc flying boat

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Andy Lennon (September 1st 1914 - November 24, 2007) is most notably associated with his work in advanced model aircraft design.
Contents
1 Background
2 Involvement in Manufacturing
3 Contributions in Literature
4 Model Design Development
//
Background
Lennon was involved in aviation since the age of 15, when he went for a short ride in a Curtis Robin. He soon joined the Montreal Flying Club and began flying D.H. Gypsy Moths and early two-place Aeronca cabin monoplanes. He was educated in Canada at Edward VII School, Strathcona Academy, Montreal Technical School, McGill University and the University of Western Ontario, (London, Ontario).
Involvement in Manufacturing
Lennon entered the Canadian aircraft manufacturing industry and later moved to general manufacturing as an industrial engineer. Throughout his career, he continued to study aeronautics, particularly aircraft design, aviation texts, NACA and NASA reports and aviation periodicals. He tested many aeronautics theories by designing, building and flying nearly 25 experimental R/C models-miniatures of potential light aircraft. One model, the Seagull III was a flying boat with wide aerobatic capabilities. Lennon is a licensed pilot in the United States and Canada.
Contributions in Literature
Lennon is a contributing editor to Model Aviation, Model Builder, RC Modeler and RC Models and Electronics. He has written several books, the most current are: "Basics of R/C Model Aircraft Design", "R/C Model Airplane Design" and "Canard: A Revolution in Flight." His last book was published in 1996, has been reprinted twice since. Andy authority in aerodynamics and related studies are well acknowledged by leaders in the aviation industry. His book "Canard: A Revolution in Flight" had the foreword written by Burt Rutan, a fitting authority in Canard design. For his last book "Basics of R/C Model Aircraft Design", Bob Kress, who designed the F-14, among other designs, wrote the introduction.

Note the traditional profile found in many of Andy's designs.
Andy Lennon Robin shown in kit form.
Model Design Development
Lennon, since 1957, has designed and published a wide range of model aircraft in various publications. These designs each represented features specific to that particular plane. The current list of his published designs is as follows, in order of publication:Model Airplane NewsOct. 1957: Flamingo Flying BoatSept. 1980: Elseven - Sport (pronounced EL-Seven)Jan. 1981: Canada Goose CanardMarch/April 1983: Crane STOLJuly 1984: Gull SportOct. 1992: Sea Hawk - Float & Land PlaneSept. 1993: Swift - SportNov. 1994: Dove - Glo Powered GliderJan. 1996: Wild Goose - 3 Surface ModelAug. 1996: Crow STOLMay 2000: Robin STOLModel Aviation, USAJan. 1987: Sparrow Hawk - SportOct. 1987: Sea Loon - Twin Boom Flying BoatModel Builder, USAOct. 1989: Swan - CanardJune 1991: Osprey - Float & Land PlaneR.C. Modeler, USAJan. 1989: Snowy Owl SportOct. 1992: Seagull III - Flying BoatRadio Control Models & Electronics, UKFeb. 1998: Wasp - Tandem Wing BiplaneAlthough all designs are dear to A ndy, he has noted that [the] "Robin and the Seagull III, are both my favourites."Lennon last design was the Robin. (officially)
Categories: 1914 births | Model aircraft
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Tuesday, July 28, 2009

Lutefisk for glass cooking pots

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Lutefisk (on the upper left side of the plate) as served in a Norwegian restaurant, with potatoes, mashed peas, and bacon.
Lutefisk (lutfisk) (pronounced [l??t?f?sk] in Southern Norway, [l??tf?sk] in Central and Northern Norway, Sweden and the Swedish-speaking areas in Finland (lipe?kala in Finnish)) is a traditional dish of the Nordic countries made from stockfish (air-dried whitefish) or dried/salted whitefish (klippfisk) and soda lye (lut). Its name literally means "lye fish", because it is made using caustic lye soda derived from potash minerals.
Contents
1 General
1.1 Preparation
1.2 Cooking
1.3 Eating
2 Origin
2.1 Origins
2.2 Traces in literature
3 Lutefisk and Norwegians
4 Lutefisk humor
5 Spellings
6 Notes
7 References
8 See also
9 External links
//
General
Preparation

Lutefisk in a Norwegian market.
Lutefisk is made from salted/dried whitefish (normally cod, but ling is also used), prepared with lye, in a sequence of particular treatments. The watering steps of these treatments differ slightly for salted/dried whitefish because of its high salt content.
The first treatment is to soak the stockfish in cold water for five to six days (with the water changed daily). The saturated stockfish is then soaked in an unchanged solution of cold water and lye for an additional two days. The fish will swell during this soaking, attaining an even larger size than in its original (undried) state, while its protein content decreases by more than 50 percent, producing its famous jelly-like consistency. When this treatment is finished, the fish (saturated with lye) has a pH value of 1112, and is therefore caustic. To make the fish edible, a final treatment of yet another four to six days of soaking in cold water (also changed daily) is needed. Eventually, the lutefisk is ready to be cooked.
In Finland, the traditional reagent used is birch ash. It contains high amounts of potassium carbonate and hydrocarbonate, giving the fish a more mellow treatment than would sodium hydroxide (lyestone). It is important to not incubate the fish too long in the lye, because saponification of the fish fats may occur, effectively rendering the fish fats into soap. The term for such spoiled fish in Finnish is saippuakala (soap fish).
Cooking

Cooking pots at a church supper: with this method, the lutefisk was boiled for about five minutes, until translucent, then promptly served.
After the preparation, the lutefisk is saturated with water and must therefore be cooked carefully so that it does not fall into pieces.
Lutefisk does not need any additional water for the cooking; it is sufficient to place it in a pan, salt it, seal the lid tightly, and let it steam cook under a very low heat for 2025 minutes. It is also possible to do this in an oven. There, the fish is put in an ovenproof dish, covered with aluminium foil, and baked at 225 (435 ) for 4050 minutes.
Another option is to parboil lutefisk; wrap the lutefisk in cheesecloth and gently boil until tender. This usually takes a very short time, so care must be taken to watch the fish and remove it before it is ready to fall apart. Prepare a white sauce to serve over the lutefisk.
Lutefisk sold in North America may also be cooked in a microwave oven. The average cooking time is 8-10 minutes per whole fish (a package of two fish sides) at high power in a covered glass cooking dish, preferably made of heat resistant glass. The cooking time will vary, depending upon the power of the microwave oven.
When cooking and eating lutefisk, it is important to clean the lutefisk and its residue off of pans, plates, and utensils immediately. Lutefisk left overnight becomes nearly impossible to remove. Sterling silver should never be used in the cooking, serving or eating of lutefisk, which will permanently ruin silver. Stainless steel utensils are recommended instead.
Eating

Norwegian Constitution Day dinner in the United States, with lutefisk, lefse, and meatballs.
In the Nordic Countries, the "season" for lutefisk starts early in November and typically continues through Christmas. Lutefisk is also very popular in Nordic-North American areas of Canada, especially the prairie regions and the large Finnish community at Sointula on Malcolm Island in the province of British Columbia, and the United States, particularly in the Upper Midwest and Northwest. From October to February, there are numerous lutefisk feeds in cities and towns around Puget Sound.
Lutefisk is usually served with a variety of side dishes, including, but not limited to, bacon, green peas, green pea stew, potatoes, lefse, gravy, mashed rutabaga, white sauce, melted or clarified butter, syrup, geitost (goat cheese), or "old" cheese (gammelost). In the United States in...(and so on) To get More information , you can visit some products about agriculture irrigation, square vase, outdoor artificial palm trees, lawn and garden edging, bulk wedding flowers, decorative christmas trees, cheap artificial trees, hose nozzle, christmas crystal tree, rod iron fences, . The DRY PACK BAG (Moisture Barrier Bag) products should be show more here!

Microscope slide for water slide paper

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Microscope slides and cover slips. A single, 3-inch long glass slide is shown with a cover glass in place
A microscope slide was originally a 'slider' made of ivory or bone, containing specimens held between disks of transparent mica. These were popular in Victorian England until the Royal Microscopical Society introduced the standardized microscope slide in the form of a thin sheet of glass used to hold objects for examination under a microscope. A standard microscope slide (shown on the right) is 75 x 25 mm (3" X 1") and about 1.0 mm thick. A range of other sizes is available for various special purposes: 75 x 50 mm and for geological use 46 x 27 mm (petrographic) and even 48 x 28 mm (thin sections)
Since high power microscopes have a very narrow region within which they focus, the object to be viewed ("specimen") is typically placed on the middle of the slide with another, much thinner square (or circle or rectangle) of glass placed over the specimen. This smaller sheet of glass is called a cover slip or cover glass, and typically measures between 18 and 25 mm on a side, and 0.085 to 0.25 mm thick. The cover glass serves two purposes: (1) it protects the microscope's objective lens from contacting the specimen, and (2) it creates an even thickness (in wet mounts) for viewing. The thickness of the coverslip is crucially important for high-resolution microscopy.
Contents
1 Wet mount
1.1 Problems and solutions
2 Graticule slide
3 Cover slip standard thicknesses
4 How to hold a microscope slide and coverslip
//
Wet mount
Many objects that are going to be viewed on a compound light microscope slide are prepared as a wet mount using water. Other materials are used when a permanent slide is being prepared for viewing and storage. In a wet mount, the specimen is placed at the center of the slide with one (or two) drops of water and the cover glass placed over the specimen. In some preparations (such as looking at pond water for microscopic critters), the object being prepared for viewing is contained within water. Special slides are available for viewing mounts that require more than one or two drops of water.
Once the specimen and water are combined on the slide, the cover glass is added. The cover glass should be placed at an angle to the slide, one edge touching the slide, and then lowered as if hinged there. If done properly, the water will force out any air as the cover glass closes over it, and no bubbles will be trapped beneath the glass. Although an occasional bubble might be tolerated, large numbers will make viewing the specimen difficult. Adhesive forces between the liquid and the glass will hold the cover glass firmly in place. Generally, only one drop of water is sufficient. Adding too much water will create a problem, as the affixing of the cover slip to the slide will depend on much weaker cohesive forces (see "Problems and solutions" below). There should be no excess water (water outside the cover slip) and the cover slip should remain in place when the slide is moved to the stage of the microscope, where it is held in place by stage clips or a mechanical stage arm.
Problems and solutions
Mostly air under cover slip too little water was used (increase by 1 drop) or cover glass was improperly dropped onto specimen. Adding a drop of water to the slide at the very edge of the cover glass will result in water being taken in under the cover glass (capillary effect). If numerous air spaces are still evident, it is best to start over.
Too much liquid under cover slip cover glass slides around easily on glass slide, and may fall off if slide not held perfectly level. Using a small piece of absorbent paper (paper towel or tissue), touch edge of paper to excess water at edge of cover slip; repeat until cover glass affixes to the slide.
Cover slip "rocks" on specimen or is clearly not laying flat either the specimen or something in the sample (a grain of sand for example) is preventing the cover slip from coming down far enough to adhere to the slide. Focusing on this slide will be difficult. Possibly the specimen is not thin enough or evenly sliced. If a grain is present, remove it and re-mount the specimen.
Fingerprints or dust may have been on the slide already which may affect your final results. In the case of dark field microscopy, dust particles and minute scratches can cause intolerable problems as sources of unwanted glare in the image. In such cases freshly-cleaved mica may be used instead of glass to support and cover the acqueous specimen.
Graticule slide

Vector rasterized grid (low quality)
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Five the Hard Way (Prison Break) for Metal Card Holders

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ive the Hard Way
Prison Break episode
Episodeno.
Season4Episode7
Written by
Christian Trokey
Directed by
Garry A. Brown
Productionno.
4AKJ07
Originalairdate
October 6, 2008
Episode chronology
?Previous
Next?
"Blow Out"
"The Price"
List of Prison Break episodes
"Five the Hard Way" is the 64th episode of the American television series Prison Break and was broadcast on October 6, 2008 in the United States on the Fox Network.
Plot
The episode starts with T-Bag coming to his senses, tied up in a chair. Gretchen, his captor, asks T-Bag what he knows about Scylla. She proceeds to cut his good arm several times before T-Bag asks how he could be of service to her.
At the warehouse the team finds out that the next card holder is in Las Vegas, Nevada. Lincoln, Sucre, Roland, and Sara proceed to Las Vegas. The foursome tails the card holder in a casino to copy his card. Meanwhile, Sara becomes shaken when she learns from Lincoln that Michael may have a brain aneurysm and could die soon like his mother did. Roland's device fails to pick up any signal, and Lincoln deduces that the card holder is keeping his card in his room. At an outdoor swimming pool, Sara is wearing a string bikini with a transparent dress over it and is sent to hit up the card holder by faking that she was on a stagette party and her friends dared her to get a photo in a whale room. However, the card holder refuses and leaves. The bartender tells her that she "isn't his type" and that the card holder asked if he "liked to party." This leads to the team using Sucre instead, who accepts very reluctantly.
Back in Los Angeles T-Bag's assistant calls Bellick and tells the team that she wants to help and wants money. At the meeting, however, Michael, Mahone, and Bellick walk into a trap created by T-Bag. T-Bag has the girl tie up Bellick, Michael, and Mahone, but Mahone makes a run for it and calls Agent Self.
T-Bag forces Michael to help him decode Whistler's bird book by threatening the life of his assistant with a gun until Michael agrees. Gretchen, staying out of view in another room, notices Bellick has an ankle monitor and tells T-Bag they have to get them off. Michael arranges the pages from the book into a blueprint of the GATE office but secretly hides a page under the table.
In Las Vegas Sucre is seen walking to the pool deck, removing his shirt, and sitting down with a beer beside the card holder. Sucre is invited by the card holder to his room for a better drink. Once inside the room, Sucre secretly copies the fifth card while discovering that Scuderi's aim was to find a one-time bedmate for his wife and not for himself; this due to impotency caused by a Vietnam War wound in Hue City. Sucre then returns after a long time to the hotel room and tells them that the download was successful. Roland is then asking what happened, and Sucre answers, "It stays in Vegas," while Sucre give Roland the device.
Mahone, with a GPS and a gun, breaks into the house where Michael and Bellick are supposedly held but only finds the ankle monitors. Mahone notices a paper crane, which is a page with the word GATE. Meanwhile, T-Bag, Gretchen, and their captives arrive at a new hiding spot, where Gretchen lures a GATE employee and kills him for snooping around. At GATE T-Bag takes Michael to the 8 x 10 closet in his old office, where he uses a screwdriver to remove the carpet and the floor tiles, revealing a metal trap door.
As Lincoln and his team are leaving the casino, Roland trails behind and uses the slot machines while holding the device, which allows him to hit jackpot many times. Unfortunately, this is noticed by the casino employees. The casino security confiscates the device (despite Roland telling him it's a battery pack) and kicks him out, much to the team's annoyance. Roland does say that he can make another device in a month.
After opening the trap door, Michael and T-Bag descend a ladder and arrive at a small underground hallway. Michael states that he is no longer helping T-Bag when Mahone jumps out and knocks out T-Bag. Mahone and Michael then throw T-Bag into a cell and leave him there yelling. Walking out from GATE, Mahone, Self, and Michael hear a cell phone nearby. Michael answers the call and realizes that it is Gretchen, still alive and involved.
Reception
IGN gave the episode 9.2 saying that the episode "is a fine example of what can be done with this new series format". IGN also gave the episode the Editor's choice award.
References
^ http://www.thefutoncritic.com/listings.aspx?id=20080918fox06
^ Ahsan Haque (2008-10-07). "Prison Break: "Five the Hard Way" Review". http://tv.ign.com/articles/917/917142p1.html. Retrieved on 2008-10-31.
Season 3
Episode listPrison Break Season 4
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Monday, July 27, 2009

Bolted joint for Nuts And Screw

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Bolted joint

Screw joint

Stud joint
Bolted joints are one of the most common elements in construction and machine design. They consist of cap screws or studs that capture and join other parts, and are secured with the mating of screw threads.
There are two main types of bolted joint designs. In one method the bolt is tightened to a calculated clamp load, usually by applying a measured torque load. The joint will be designed such that the clamp load is never overcome by the forces acting on the joint (and therefore the joined parts see no relative motion).
The other type of bolted joint does not have a designed clamp load but relies on the shear strength of the bolt shaft. This may include clevis linkages, joints that can move, and joints that rely on locking mechanism (like lock washers, thread adhesives, and lock nuts).
Contents
1 Theory
1.1 Thread strength
2 Setting the torque
3 Property class
4 Failure modes
5 Locking mechanisms
6 Measurement of frictional torque of threads in bolt
7 Bolt banging
8 International standards
9 See also
10 References
10.1 Notes
10.2 Bibliography
11 External links
//
Theory
The clamp load, also called preload, of a cap screw is created when a torque is applied, and is generally a percentage of the cap screw's proof strength. Cap screws are manufactured to various standards that define, among other things, their strength and clamp load. Torque charts are available that identify the required torque for cap screws based on their property class.
When a cap screw is tightened it is stretched, and the parts that are captured are compressed. The result is a spring-like assembly. External forces are designed to act on the parts that have been compressed, and not on the cap screw.
The result is a non-intuitive distribution of strain; in this engineering model, as long as the forces acting on the compressed parts do not exceed the clamp load, the cap screw doesn't see any increased load. This model is only valid when the members under compression are much stiffer than the capscrew.
This is a simplified model. In reality the bolt will see a small fraction of the external load prior to it exceeding the clamp load, depending on the compressed parts' stiffness with respect to the hardware's stiffness.
The results of this type of joint design are:
Greater preloads in bolted joints reduce the fatigue loading of the hardware.
For cyclic loads, the bolt does not see the full amplitude of the load. As a result, fatigue life can be increased or, if the material exhibits an endurance limit, extended indefinitely.
As long as the external loads on a joint don't exceed the clamp load, the hardware doesn't see any motion and will not come loose (no locking mechanisms are required).
In the case of the compressed member being less stiff than the hardware (soft, compressed gaskets for example) this analogy doesn't hold true. The load seen by the hardware is the preload plus the external load.
Thread strength
Nut threads are designed to support the rated clamp load of their respective bolts. If tapped threads are used instead of a nut, then their strength needs to be calculated. Steel hardware into tapped steel threads requires a depth of 1.5 thread diameter to support the full clamp load.
If an appropriate depth of threads is not available, or the threads are in a weaker material than the cap screw, then the clamp load (and torque) needs to be derated appropriately.
Threads are usually created on a thread rolling machine. They may also be cut with a lathe, tap or die. Rolled threads are about 40% stronger than cut threads.
Setting the torque
Engineered joints require the torque to be accurately set. Setting the torque for cap screws is commonly achieved using a torque wrench. The required torque value for a particular screw application may be quoted in the published standard document or defined by the manufacturer.
The clamp load produced during tightening is higher than 75% of the fastener's proof load. To achieve the benefits of the pre-loading, the clamping force in the screw must be higher than the joint separation load. For some joints a number of screws are required to secure the joint, these are all hand tightened before the final torque is applied to ensure an even joint seating.
The torque value is dependent on the friction between the threads and beneath the bolt or nut head, this friction can be affected by the application of a lubricant or any plating (e.g. cadmium or zinc) applied to the screw threads. The screw standard will define whether the torque value is for a dry or lubricated screw thread. If a screw is torqued rather than the nut then the torque value should be increased to compensate for the...(and so on) To get More information , you can visit some products about chi hair straightening iron, doorbell intercom, wood executive desks, multimedia car stereo, gps auto navigation system, welding hood, camera baby monitor, hydraulic pressure gauge, pda car charger, medical sterilization, . The metal brad products should be show more here!

Peter Schmidt (artist) for Wood Shelf Brackets

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The Road to the Crater
Peter Schmidt (17 May 1931 22 January 1980) was a Berlin-born British artist, painter, theoretician of color and composition, pioneering multimedia exhibitor and an influential teacher. He was part of a generation of art school teachers in the 1960s and 1970s that had great impact on some students who later went on to work in art and music. He worked with Hansj?rg Mayer, Brian Eno, Mark Boyle and had associations with Russell Mills, David Toop and Tom Phillips.
Contents
1 Biography
2 Works
3 Publications
4 Exhibitions
5 Miscellaneous
6 Quotes
7 Peter Schmidt Prints
8 References
9 External links
//
Biography
Peter Schmidt was born 17 May 1931 in Berlin, moved to England in 1938, and began painting in 1947. He studied at the Goldsmiths College from 1951-1953, and Slade School from 1953-1957. He won the Abbey Minor Travelling Scholarship 1957-58, which was spent in Sicily. On his return to England, he painted directly from objects and people, mainly in oils. His work was exhibited at Beaux Arts, with his first one man show in 1961. He was the subject of a film called DEPARTURES made for BBC TV in 1961. In 1963 he began a concept of painting he called PROGRAM. He produced a series of works inspired by music exhibited in a one man show at the Curwin Gallery 1966 . By this time his work had become totally abstract and he was focusing on ideas and systems. He performed an electronic music event called A PAINTERS USE OF SOUND at the ICA in 1967. Other music and performance work were at the Bristol Arts Centre, the UFO Club and, the Cochrane Theatre. He was also working with Mark Boyle a t that time, performing in "Son et Lumiere" also at the Cochrane. He performed ELECTRONIC SOUP MIX in 1969 at the Curwin Gallery, and FILM SOUND MIXES at the ICA.
In 1972 he produced a series of 64 drawings based on hexagrams of the I Ching. One of his last creative explorations in non figuative work was a series of abstract paintings, which were illuminated by a special shifting colour light box, the electronics of which were specially designed. At this point his work gradually started to become figurative once more. In 1975 he had an exhibition at the Whitechapel Art Gallery.
For 12 years Peter Schmidt explored many media and ideas, he produced a huge amount of work including books, prints, film, sound and painting. For the rest of his life he painted in water colour, spending extended periods in Skye, Scotland, and in Iceland painting landscapes. Although representational, Peter's approach was to use his theory of colour and composition developed previously. In other words, to create both an abstract and figurative painting in one. The last exhibition Peter Schmidt planned called More Than Nothing, at Paul Ide Gallery in Brussels, was of collaborative works with Brian Eno. Among the works shown was the first generative light box, a watercolour painting of Eno called "Portrait of Eno with Allusions", several Tiger Mountain prints, the French edition of the oracle card set called Oblique Strategies, and etchings created just for this exhibit.
However, he died suddenly while on holiday in the Canary Islands, on La Gomera, of a heart attack on 22 January 1980, just days before the opening.
Works
Peter Schmidt met Brian Eno as a visiting lecturer at Ipswich art school in the late 1960s and later became a friend and collaborator. They found they had both independently arrived at a system of using little quotes and axioms to overcome artistic obstacles. They combined efforts to publish the Oblique Strategies cards in 1975. Brian Eno commented on Schmidt. The Oblique Strategies seem to have been an out growth of Schmidt's own "Thoughts Behind The Thoughts".
Peter Schmidt has two prints from 1971, both called "Flowing in the Right Direction" in the Tate Collection. Five of Schmidt's Monoprints from late 1968 are in the UK Government Art Collection that maintains and exhibits works in various government buildings. Several of these Monoprints can be seen in the James Bond 007 film "Her Majesty's Secret Service".
Schmidt created 1500 different silk screen portraits of Brian Eno, four of which are used on the cover of the LP Taking Tiger Mountain (By Strategy). The Robert Fripp and Brian Eno LP Evening Star has on its cover a Schmidt painting.
Brian Eno included four watercolor prints of Schmidt's work with the first edition of his LP Before and after Science and famously wrote in its liner notes: "Apart from our collaboration on this record, Peter and I have been working together and comparing notes for some time. In 1975 we produced a boxed set of oracle cards called "Oblique Strategies", which were used extensively in the making of this record."
Schmidt created the water color painting, "Portrait of Eno with Allusions" originally considered for the...(and so on) To get More information , you can visit some products about earth moving machinery, tow truck model, kinky hair weave, memory card pro, spin dryer, sound proof door, optical fiber connector, ozonator spa, sweater lady, coin purse mens, . The Cushion Gum / Self-Vulcanizing Cushion Gum products should be show more here!

HyperSizer for beam load cell

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Contents
1 HyperSizer Composite & Laminate Analysis Software
1.1 Software
1.2 Analyses
1.3 Progressive Design Process
1.4 Supported File Formats
1.5 Some Projects & Users
1.6 Product Modules
1.7 Software Specifications
1.8 External links
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HyperSizer Composite & Laminate Analysis Software
HyperSizer is a composite material analysis software providing stress analysis and preliminary structural design for weight reduction, system level trade studies, and part sizing including sizing stiffened panel cross-sectional dimensions, material selection, and optimum composite layup stacking. HyperSizer performs detailed failure analyses and reporting as a post process to a loads finite element model (FEM).
It is an enterprise tool used by both designers and stress analysts from early concept to final design.
For over a decade, HyperSizer has significantly reduced weight on major aerospace programs with rapid analysis and composite optimization. Originally developed at NASA, it now greatly enhanced and supported as a commercial product worldwide. HyperSizer is not CAD and is not finite element analysis (FEA).
Software
HyperSizer is a software system for management of all data associated with the structural analysis and test data of a major aircraft program. Multiple databases can be setup, with each database able to contain hundreds of variations of an airframe configuration (i.e. different FEMs), material properties, panel and beam concepts, dimensions, and loads. This approach provides apples-to-apples weight prediction comparisons, and a guaranteed store of all margins-of-safety for every configuration. The database also provides an organized and efficient means to capture essential data related to a project with a guaranteed ability to immediately locate and retrieve historical data. Stress reports can be generated at the click of a button at any time documenting current status of a project, indicating critical margins, critical load cases, and critical structural parts.
Analyses
HyperSizer performs hundreds of different analyses such as panel buckling, crippling, beam-column, bonded and bolted joint, composite strength to damage initiation and damage tolerance criteria, etc. for the entire vehicle from engine nacelles to airframe surface panels and substructure. The figure illustrates how HyperSizer imports a FEM and manages all data associated with a configuration. Wing spars and ribs can consider a range of materials and panel concepts that are different than the subset of user determined design options for the wing skins and fuselage body. HyperSizer also analyses and optimizes internal beams such as spar caps and many other open and closed shapes. A primary foundational capability of HyperSizer is to accurately analyze any panel concept without the need to discretely mesh with finite elements the shape of the stiffeners or their spacing. This permits tremendous flexibility and rapid turn around of trades with different panel concepts all from the same coarsely meshed FEM.
Progressive Design Process
The HyperSizer Progressive Design Process consists of three activities. All three activities can interact with each other throughout design maturation. HyperSizer provides unique automation and integration capabilities to each of these design activities.
A funneling process performed in stages to target an optimum design. Innovative ack to the drawing board concepts are proposed, evaluated, and filtered out for the next stage of the design maturation process.
An incremental process of including more computationally demanding analysis solutions starting with damage initiation, tracking the progression of failure, and ending with the resulting residual strength at ultimate failure.
An incremental process of including more design detail, such as bonded and bolted joints, ply drop-offs, etc. for both optimization and analysis.
Supported File Formats
.hdb HyperSizer Database.hmr HyperSizer Material Report.hve HyperSizer Verification DocumentStress reports are outputted in either Microsoft Word format or HTML for ease of viewing and distribution.
Some Projects & Users
NASALangley Research Center (Hampton, VA) Marshall Space Flight Center (Huntsville, AL) Glenn Research Center (Cleveland, OH) Johnson Space Center (Houston, TX) Ames Research Center (Moffett Field, CA)
BoeingHuntington Beach, CA (Integrated Defense & Space) Seattle, WA (Commercial Airplanes) Seattle, WA (Integrated Defense Systems) Phantom Works (Aerospace R&D) Houston, TX (NASA Systems)
Lockheed MartinDenver, CO (Space Systems) Marietta, GA (Aeronautics) New Orleans, LA (Michoud Space Systems) Palmdale, CA (Aeronautics Skunk Works) Fort Worth, TX (Aeronautics) Syracuse, NY (Maritime Systems & Sensors) Northrop Grumman El...(and so on) To get More information , you can visit some products about quad graphics cards, child t shirt, dog rope toy, bulletproof cars, best canister vacuum, light marine, zero gravity lawn chair, used car rims, mechanical kitchen scale, pump pressure gauge, . The Phone Straps and Charms . Crown Tiara Antenna Charm products should be show more here!